BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Rukmini Vijayakumar - ECPv6.16.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://dancerukmini.com
X-WR-CALDESC:Events for Rukmini Vijayakumar
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Asia/Kolkata
BEGIN:STANDARD
TZOFFSETFROM:+0530
TZOFFSETTO:+0530
TZNAME:IST
DTSTART:20230101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240608
DTEND;VALUE=DATE:20240610
DTSTAMP:20260524T040337
CREATED:20240311T054519Z
LAST-MODIFIED:20250113T095654Z
UID:112744-1717804800-1717977599@dancerukmini.com
SUMMARY:Workshop at Sydney
DESCRIPTION:A workshop where Rukmini will be teaching an item with a few karanas and charis
URL:https://dancerukmini.com/event/workshop-at-sydney/
ATTACH;FMTTYPE=image/jpeg:https://dancerukmini.com/wp-content/uploads/2024/03/Sydney-Workshop-2024.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240608T110000
DTEND;TZID=Asia/Kolkata:20240608T120000
DTSTAMP:20260524T040337
CREATED:20240311T054234Z
LAST-MODIFIED:20250113T095654Z
UID:112739-1717844400-1717848000@dancerukmini.com
SUMMARY:A Bharatanatyam Performance at the Sydney Music festival
DESCRIPTION:Bharatanatyam performances on the occasion of Mahashivaratri
URL:https://dancerukmini.com/event/a-bharatanatyam-performance-at-the-sydney-music-festival/
LOCATION:Riverside Theatre\, Parramatta\, Sydney\, Riverside Theatre\, Parramatta\,\, Sydney\, Australia
ATTACH;FMTTYPE=image/jpeg:https://dancerukmini.com/wp-content/uploads/2024/03/Sydney-performance-8th-June-2024.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240614T173000
DTEND;TZID=Asia/Kolkata:20240614T193000
DTSTAMP:20260524T040337
CREATED:20240311T054802Z
LAST-MODIFIED:20250113T095654Z
UID:112748-1718386200-1718393400@dancerukmini.com
SUMMARY:A Bbharatanatyam Performance at the Chidambaram Festival
DESCRIPTION:A Bbharatanatyam Performance at the Chidambaram Festival
URL:https://dancerukmini.com/event/a-bbharatanatyam-performance-at-the-chidambaram-festival/
LOCATION:Claver Theatre\, Brisbane\, 20 Dodge Ln\, Fortitude Valley QLD 4006\,\, Australia
ATTACH;FMTTYPE=image/jpeg:https://dancerukmini.com/wp-content/uploads/2024/03/Brisbane-performance.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240615
DTEND;VALUE=DATE:20240616
DTSTAMP:20260524T040337
CREATED:20240311T054904Z
LAST-MODIFIED:20250113T095654Z
UID:112753-1718409600-1718495999@dancerukmini.com
SUMMARY:Workshop at Brisbane
DESCRIPTION:A workshop where Rukmini will be teaching an item
URL:https://dancerukmini.com/event/workshop-at-brisbane/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240710
DTEND;VALUE=DATE:20240716
DTSTAMP:20260524T040337
CREATED:20231118T101205Z
LAST-MODIFIED:20250113T095654Z
UID:112043-1720569600-1721087999@dancerukmini.com
SUMMARY:LAS Intensive USA 2024 - Discover the root of movement\, Ashville\, NC\, USA
DESCRIPTION:About the Event:\nDiscover the root of movement at LAS Intensive USA 2024. Join us for a transformative journey from July 10th to 15th\, curated by renowned artist Rukmini Vijayakumar. Explore the essence of Bharatanatyam and beyond\, delving into various disciplines at the serene Elohee Retreat in Ashville\, NC. Uncover the profound connection between mind\, body\, and artistry in this immersive experience designed to nurture your dance practice and artistic growth. \nDate:\nJuly 10th to 15th\, 2024. \nVenue\nElohee Retreat\, Ashville\, NC\, USA. \nPricing\nEarly bird registration: $1200 (until February 15th 2024)\nRegular pricing: $1400\nAccommodations on a twin-sharing basis: $216.15 per night (inclusive of meals and stay) \n  \nFor detailed information about the event schedule and additional details\, please download our comprehensive guide: LAS Intensive USA 2024 Event Guide.
URL:https://dancerukmini.com/event/las-intensive-usa-2024-discover-the-root-of-movement-ashville-nc-usa/
LOCATION:ELOHEE RETREAT\, ASHVILLE NC\, USA\, Mandala Hall 251 Elohee Drive\, Sautee Nacoochee\,\, ASHVILLE\, NC\, 30571\, United States
ATTACH;FMTTYPE=image/jpeg:https://dancerukmini.com/wp-content/uploads/2023/11/2024-LAs-Intensive-USA-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240802T190000
DTEND;TZID=Asia/Kolkata:20240802T210000
DTSTAMP:20260524T040337
CREATED:20240718T074736Z
LAST-MODIFIED:20250113T095654Z
UID:113584-1722625200-1722632400@dancerukmini.com
SUMMARY:Ishwara in New Jersey
DESCRIPTION:ISHWARA – Journey to Self\nParvati and Parameshwara\, Shiva and Sati\, Masculine and Feminine\, Purusha and Prakruti\, are the many names that describe this mystery of creation. \nThrough Vedanta\, we realise that all of this universe is an embodiment of Ishwara. Shiva and Parvati represent the unmanifest and the manifest in the world around us. The puranas reference the physical manifest forms of Shiva and Parvati as symbolic representations of this philosophy\, attributing human qualities and emotions to relate trivial\, often humorous interactions between them. The stories ultimately carry the idea of both of them representing all of creation\, but in the manifest forms often not realising it. \nIshwara\, is a journey of human emotion\, love\, loss and realisation through the eyes of Shiva and Parvati.
URL:https://dancerukmini.com/event/ishwara-in-new-jersey/
LOCATION:Brook Arts Center\, Hamilton Street\, Bound Brook\, NJ\, USA\, Brook Arts Center\, Hamilton Street\, Bound Brook\,\, NJ\, United States
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/New-Jersey.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240804T173000
DTEND;TZID=Asia/Kolkata:20240804T193000
DTSTAMP:20260524T040337
CREATED:20240718T074937Z
LAST-MODIFIED:20250113T095654Z
UID:113591-1722792600-1722799800@dancerukmini.com
SUMMARY:Ishwara in Washington
DESCRIPTION:ISHWARA – Journey to Self\nParvati and Parameshwara\, Shiva and Sati\, Masculine and Feminine\, Purusha and Prakruti\, are the many names that describe this mystery of creation. \nThrough Vedanta\, we realise that all of this universe is an embodiment of Ishwara. Shiva and Parvati represent the unmanifest and the manifest in the world around us. The puranas reference the physical manifest forms of Shiva and Parvati as symbolic representations of this philosophy\, attributing human qualities and emotions to relate trivial\, often humorous interactions between them. The stories ultimately carry the idea of both of them representing all of creation\, but in the manifest forms often not realising it. \nIshwara\, is a journey of human emotion\, love\, loss and realisation through the eyes of Shiva and Parvati.
URL:https://dancerukmini.com/event/ishwara-in-washington/
LOCATION:F Scott Fitzgerald Theatre\, Edmonston Drive\, Rockville\, MD\, USA\, F Scott Fitzgerald Theatre\, Edmonston Drive\, Rockville\, MD\, USA\, MD\, United States
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Wshigton-DC.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240805T190000
DTEND;TZID=Asia/Kolkata:20240805T210000
DTSTAMP:20260524T040337
CREATED:20240718T080255Z
LAST-MODIFIED:20250113T095654Z
UID:113620-1722884400-1722891600@dancerukmini.com
SUMMARY:Ishwara in Detroit
DESCRIPTION:ISHWARA – Journey to Self\nParvati and Parameshwara\, Shiva and Sati\, Masculine and Feminine\, Purusha and Prakruti\, are the many names that describe this mystery of creation. \nThrough Vedanta\, we realise that all of this universe is an embodiment of Ishwara. Shiva and Parvati represent the unmanifest and the manifest in the world around us. The puranas reference the physical manifest forms of Shiva and Parvati as symbolic representations of this philosophy\, attributing human qualities and emotions to relate trivial\, often humorous interactions between them. The stories ultimately carry the idea of both of them representing all of creation\, but in the manifest forms often not realising it. \nIshwara\, is a journey of human emotion\, love\, loss and realisation through the eyes of Shiva and Parvati.
URL:https://dancerukmini.com/event/ishwara-in-detroit/
LOCATION:Detroit Public Theatre\, 3rd Avenue\, Detroit\, MI\, USA\, Detroit Public Theatre\, 3rd Avenue\, Detroit\, MI\, USA
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Detroit-5th-august.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240806T190000
DTEND;TZID=Asia/Kolkata:20240806T210000
DTSTAMP:20260524T040337
CREATED:20240718T080417Z
LAST-MODIFIED:20250113T095654Z
UID:113624-1722970800-1722978000@dancerukmini.com
SUMMARY:Abducted in Detroit
DESCRIPTION:A woman almost always feels a sense of helplessness in situations of physical confrontation with a man. ‘Abducted’ is inspired by stories of abduction and abuse from India and around the world. The act of abusing someone indicates an incapacity to consider another human. It is a desire with no boundaries. Populations have begun to come to terms with degrees of abuse that exist in many forms and shapes. What have we done as societies to cultivate this kind of culture? The position of women has constantly been a point of contention at work\, in homes\, in politics\, in the field of education etc. The representation of a physically strong woman in the modern world\, in films and comics is often attached to the physical objectification of women; but a powerful woman in the workplace is shown wearing a suit with hair slicked back. \nCan we represent strength and power in a female body without objectification\, while also embracing the feminine? \nOne of the only archetypes of power\, carried in a female body is the image of the Indian goddess\, Kali. Kali is embraced as a figurative female energy that holds within herself the ability to annihilate evil and rejuvenate life. She is the keeper of time and space. This particular image has no objectification of the female body attached to it. Kali is sensual\, but does not cater to the male gaze as a sexual object. She is also not ‘pure’ in the sense of being devoid of sexual energy. \nAt which point does the abuse of power bring out the Kali in us ? \nAt which point does a woman’s desire materialise? When does she wield her power\, strength and take charge of her sexuality?
URL:https://dancerukmini.com/event/abducted-in-detroit-2/
LOCATION:Detroit Public Theatre\, 3rd Avenue\, Detroit\, MI\, USA\, Detroit Public Theatre\, 3rd Avenue\, Detroit\, MI\, USA
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Detroit-6th-Aug.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240808T180000
DTEND;TZID=Asia/Kolkata:20240808T213000
DTSTAMP:20260524T040337
CREATED:20240730T072014Z
LAST-MODIFIED:20250113T095654Z
UID:113742-1723140000-1723152600@dancerukmini.com
SUMMARY:Boston workshop - Charis exploration
DESCRIPTION:The students will be introduced to Charis. They will be led through the experimentation and layering of Adavus with dynamic variations. They will see how Charis can invigorate the Adavu vocabulary. \nContact: bostonadavu@gmail.com
URL:https://dancerukmini.com/event/boston-workshop-charis-exploration/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240809T190000
DTEND;TZID=Asia/Kolkata:20240809T210000
DTSTAMP:20260524T040337
CREATED:20240718T075110Z
LAST-MODIFIED:20250113T095654Z
UID:113595-1723230000-1723237200@dancerukmini.com
SUMMARY:Ishwara in Boston
DESCRIPTION:ISHWARA – Journey to Self\nParvati and Parameshwara\, Shiva and Sati\, Masculine and Feminine\, Purusha and Prakruti\, are the many names that describe this mystery of creation. \nThrough Vedanta\, we realise that all of this universe is an embodiment of Ishwara. Shiva and Parvati represent the unmanifest and the manifest in the world around us. The puranas reference the physical manifest forms of Shiva and Parvati as symbolic representations of this philosophy\, attributing human qualities and emotions to relate trivial\, often humorous interactions between them. The stories ultimately carry the idea of both of them representing all of creation\, but in the manifest forms often not realising it. \nIshwara\, is a journey of human emotion\, love\, loss and realisation through the eyes of Shiva and Parvati.
URL:https://dancerukmini.com/event/ishwara-in-boston/
LOCATION:Eleanor Welch Casey Theatre\, Wellesley Street\, Weston\, MA\, USA\, MA\, United States
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Boston.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240811T173000
DTEND;TZID=Asia/Kolkata:20240811T193000
DTSTAMP:20260524T040337
CREATED:20240718T075303Z
LAST-MODIFIED:20250113T095654Z
UID:113599-1723397400-1723404600@dancerukmini.com
SUMMARY:Ishwara in Houston
DESCRIPTION:ISHWARA – Journey to Self\nParvati and Parameshwara\, Shiva and Sati\, Masculine and Feminine\, Purusha and Prakruti\, are the many names that describe this mystery of creation. \nThrough Vedanta\, we realise that all of this universe is an embodiment of Ishwara. Shiva and Parvati represent the unmanifest and the manifest in the world around us. The puranas reference the physical manifest forms of Shiva and Parvati as symbolic representations of this philosophy\, attributing human qualities and emotions to relate trivial\, often humorous interactions between them. The stories ultimately carry the idea of both of them representing all of creation\, but in the manifest forms often not realising it. \nIshwara\, is a journey of human emotion\, love\, loss and realisation through the eyes of Shiva and Parvati.
URL:https://dancerukmini.com/event/ishwara-in-houston/
LOCATION:MATCH – Midtown Arts and Theater Center Houston\, Main Street\, Houston\, TX\, USA\, MATCH - Midtown Arts and Theater Center Houston\, Main Street\, Houston\, TX\, USA\, TX\, United States
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Houston.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240813T190000
DTEND;TZID=Asia/Kolkata:20240813T210000
DTSTAMP:20260524T040337
CREATED:20240718T080548Z
LAST-MODIFIED:20250113T095654Z
UID:113627-1723575600-1723582800@dancerukmini.com
SUMMARY:Abducted in Austin
DESCRIPTION:A woman almost always feels a sense of helplessness in situations of physical confrontation with a man. ‘Abducted’ is inspired by stories of abduction and abuse from India and around the world. The act of abusing someone indicates an incapacity to consider another human. It is a desire with no boundaries. Populations have begun to come to terms with degrees of abuse that exist in many forms and shapes. What have we done as societies to cultivate this kind of culture? The position of women has constantly been a point of contention at work\, in homes\, in politics\, in the field of education etc. The representation of a physically strong woman in the modern world\, in films and comics is often attached to the physical objectification of women; but a powerful woman in the workplace is shown wearing a suit with hair slicked back. \nCan we represent strength and power in a female body without objectification\, while also embracing the feminine? \nOne of the only archetypes of power\, carried in a female body is the image of the Indian goddess\, Kali. Kali is embraced as a figurative female energy that holds within herself the ability to annihilate evil and rejuvenate life. She is the keeper of time and space. This particular image has no objectification of the female body attached to it. Kali is sensual\, but does not cater to the male gaze as a sexual object. She is also not ‘pure’ in the sense of being devoid of sexual energy. \nAt which point does the abuse of power bring out the Kali in us ? \nAt which point does a woman’s desire materialise? When does she wield her power\, strength and take charge of her sexuality?
URL:https://dancerukmini.com/event/abducted-in-austin/
LOCATION:The Long Center for the Performing Arts\, West Riverside Drive\, Austin\, TX\, USA\, The Long Center for the Performing Arts\, West Riverside Drive\, Austin\, TX\, USA
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Austin-13th-Aug.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240814T190000
DTEND;TZID=Asia/Kolkata:20240814T210000
DTSTAMP:20260524T040337
CREATED:20240718T080657Z
LAST-MODIFIED:20250113T095653Z
UID:113631-1723662000-1723669200@dancerukmini.com
SUMMARY:Abducted in Austin
DESCRIPTION:A woman almost always feels a sense of helplessness in situations of physical confrontation with a man. ‘Abducted’ is inspired by stories of abduction and abuse from India and around the world. The act of abusing someone indicates an incapacity to consider another human. It is a desire with no boundaries. Populations have begun to come to terms with degrees of abuse that exist in many forms and shapes. What have we done as societies to cultivate this kind of culture? The position of women has constantly been a point of contention at work\, in homes\, in politics\, in the field of education etc. The representation of a physically strong woman in the modern world\, in films and comics is often attached to the physical objectification of women; but a powerful woman in the workplace is shown wearing a suit with hair slicked back. \nCan we represent strength and power in a female body without objectification\, while also embracing the feminine? \nOne of the only archetypes of power\, carried in a female body is the image of the Indian goddess\, Kali. Kali is embraced as a figurative female energy that holds within herself the ability to annihilate evil and rejuvenate life. She is the keeper of time and space. This particular image has no objectification of the female body attached to it. Kali is sensual\, but does not cater to the male gaze as a sexual object. She is also not ‘pure’ in the sense of being devoid of sexual energy. \nAt which point does the abuse of power bring out the Kali in us ? \nAt which point does a woman’s desire materialise? When does she wield her power\, strength and take charge of her sexuality?
URL:https://dancerukmini.com/event/abducted-in-austin-2/
LOCATION:The Long Center for the Performing Arts\, West Riverside Drive\, Austin\, TX\, USA\, The Long Center for the Performing Arts\, West Riverside Drive\, Austin\, TX\, USA
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Austin-14th-Aug.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240816T190000
DTEND;TZID=Asia/Kolkata:20240816T210000
DTSTAMP:20260524T040337
CREATED:20240718T075449Z
LAST-MODIFIED:20250113T095653Z
UID:113603-1723834800-1723842000@dancerukmini.com
SUMMARY:Ishwara in Dallas
DESCRIPTION:ISHWARA – Journey to Self\nParvati and Parameshwara\, Shiva and Sati\, Masculine and Feminine\, Purusha and Prakruti\, are the many names that describe this mystery of creation. \nThrough Vedanta\, we realise that all of this universe is an embodiment of Ishwara. Shiva and Parvati represent the unmanifest and the manifest in the world around us. The puranas reference the physical manifest forms of Shiva and Parvati as symbolic representations of this philosophy\, attributing human qualities and emotions to relate trivial\, often humorous interactions between them. The stories ultimately carry the idea of both of them representing all of creation\, but in the manifest forms often not realising it. \nIshwara\, is a journey of human emotion\, love\, loss and realisation through the eyes of Shiva and Parvati.
URL:https://dancerukmini.com/event/ishwara-in-dallas/
LOCATION:Charles W. Eisemann Center for Performing Arts and Corporate Presentations\, Performance Drive\, Richardson\, TX\, USA\, Charles W. Eisemann Center for Performing Arts and Corporate Presentations\, Performance Drive\, Richardson\, TX\, USA\, United States
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Dallas.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240818T173000
DTEND;TZID=Asia/Kolkata:20240818T193000
DTSTAMP:20260524T040337
CREATED:20240718T075632Z
LAST-MODIFIED:20250113T095653Z
UID:113607-1724002200-1724009400@dancerukmini.com
SUMMARY:Ishwara in Bay Area
DESCRIPTION:ISHWARA – Journey to Self\nParvati and Parameshwara\, Shiva and Sati\, Masculine and Feminine\, Purusha and Prakruti\, are the many names that describe this mystery of creation. \nThrough Vedanta\, we realise that all of this universe is an embodiment of Ishwara. Shiva and Parvati represent the unmanifest and the manifest in the world around us. The puranas reference the physical manifest forms of Shiva and Parvati as symbolic representations of this philosophy\, attributing human qualities and emotions to relate trivial\, often humorous interactions between them. The stories ultimately carry the idea of both of them representing all of creation\, but in the manifest forms often not realising it. \nIshwara\, is a journey of human emotion\, love\, loss and realisation through the eyes of Shiva and Parvati.
URL:https://dancerukmini.com/event/ishwara-in-bay-area/
LOCATION:Montgomery Theater\, South Market Street\, San Jose\, CA\, USA\, Montgomery Theater\, South Market Street\, San Jose\, CA\, USA\, CA\, United States
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Bay-Area.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240820T190000
DTEND;TZID=Asia/Kolkata:20240820T210000
DTSTAMP:20260524T040337
CREATED:20240718T080804Z
LAST-MODIFIED:20250113T095653Z
UID:113634-1724180400-1724187600@dancerukmini.com
SUMMARY:Abducted in Bay Area
DESCRIPTION:A woman almost always feels a sense of helplessness in situations of physical confrontation with a man. ‘Abducted’ is inspired by stories of abduction and abuse from India and around the world. The act of abusing someone indicates an incapacity to consider another human. It is a desire with no boundaries. Populations have begun to come to terms with degrees of abuse that exist in many forms and shapes. What have we done as societies to cultivate this kind of culture? The position of women has constantly been a point of contention at work\, in homes\, in politics\, in the field of education etc. The representation of a physically strong woman in the modern world\, in films and comics is often attached to the physical objectification of women; but a powerful woman in the workplace is shown wearing a suit with hair slicked back. \nCan we represent strength and power in a female body without objectification\, while also embracing the feminine? \nOne of the only archetypes of power\, carried in a female body is the image of the Indian goddess\, Kali. Kali is embraced as a figurative female energy that holds within herself the ability to annihilate evil and rejuvenate life. She is the keeper of time and space. This particular image has no objectification of the female body attached to it. Kali is sensual\, but does not cater to the male gaze as a sexual object. She is also not ‘pure’ in the sense of being devoid of sexual energy. \nAt which point does the abuse of power bring out the Kali in us ? \nAt which point does a woman’s desire materialise? When does she wield her power\, strength and take charge of her sexuality?
URL:https://dancerukmini.com/event/abducted-in-bay-area/
LOCATION:Starbright Theater\, West Campbell Avenue\, Campbell\, CA\, USA\, Starbright Theater\, West Campbell Avenue\, Campbell\, CA\, USA
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Bay-Area-20th-Aug.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240821T190000
DTEND;TZID=Asia/Kolkata:20240821T210000
DTSTAMP:20260524T040337
CREATED:20240718T080846Z
LAST-MODIFIED:20250113T095653Z
UID:113638-1724266800-1724274000@dancerukmini.com
SUMMARY:Abducted in Bay Area
DESCRIPTION:A woman almost always feels a sense of helplessness in situations of physical confrontation with a man. ‘Abducted’ is inspired by stories of abduction and abuse from India and around the world. The act of abusing someone indicates an incapacity to consider another human. It is a desire with no boundaries. Populations have begun to come to terms with degrees of abuse that exist in many forms and shapes. What have we done as societies to cultivate this kind of culture? The position of women has constantly been a point of contention at work\, in homes\, in politics\, in the field of education etc. The representation of a physically strong woman in the modern world\, in films and comics is often attached to the physical objectification of women; but a powerful woman in the workplace is shown wearing a suit with hair slicked back. \nCan we represent strength and power in a female body without objectification\, while also embracing the feminine? \nOne of the only archetypes of power\, carried in a female body is the image of the Indian goddess\, Kali. Kali is embraced as a figurative female energy that holds within herself the ability to annihilate evil and rejuvenate life. She is the keeper of time and space. This particular image has no objectification of the female body attached to it. Kali is sensual\, but does not cater to the male gaze as a sexual object. She is also not ‘pure’ in the sense of being devoid of sexual energy. \nAt which point does the abuse of power bring out the Kali in us ? \nAt which point does a woman’s desire materialise? When does she wield her power\, strength and take charge of her sexuality?
URL:https://dancerukmini.com/event/abducted-in-bay-area-2/
LOCATION:Starbright Theater\, West Campbell Avenue\, Campbell\, CA\, USA\, Starbright Theater\, West Campbell Avenue\, Campbell\, CA\, USA
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Bay-Area-21st-Aug.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240823T190000
DTEND;TZID=Asia/Kolkata:20240823T210000
DTSTAMP:20260524T040337
CREATED:20240718T075855Z
LAST-MODIFIED:20250113T095653Z
UID:113612-1724439600-1724446800@dancerukmini.com
SUMMARY:Ishwara in LA
DESCRIPTION:ISHWARA – Journey to Self\nParvati and Parameshwara\, Shiva and Sati\, Masculine and Feminine\, Purusha and Prakruti\, are the many names that describe this mystery of creation. \nThrough Vedanta\, we realise that all of this universe is an embodiment of Ishwara. Shiva and Parvati represent the unmanifest and the manifest in the world around us. The puranas reference the physical manifest forms of Shiva and Parvati as symbolic representations of this philosophy\, attributing human qualities and emotions to relate trivial\, often humorous interactions between them. The stories ultimately carry the idea of both of them representing all of creation\, but in the manifest forms often not realising it. \nIshwara\, is a journey of human emotion\, love\, loss and realisation through the eyes of Shiva and Parvati.
URL:https://dancerukmini.com/event/ishwara-in-la/
LOCATION:PYLUSD Performing Arts Center\, Valencia Avenue\, Placentia\, California\, USA\, PYLUSD Performing Arts Center\, Valencia Avenue\, Placentia\, California\, USA\, United States
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Los-Angeles.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240824T173000
DTEND;TZID=Asia/Kolkata:20240824T193000
DTSTAMP:20260524T040337
CREATED:20240718T080002Z
LAST-MODIFIED:20250113T095653Z
UID:113616-1724520600-1724527800@dancerukmini.com
SUMMARY:Ishwara in Seattle
DESCRIPTION:ISHWARA – Journey to Self\nParvati and Parameshwara\, Shiva and Sati\, Masculine and Feminine\, Purusha and Prakruti\, are the many names that describe this mystery of creation. \nThrough Vedanta\, we realise that all of this universe is an embodiment of Ishwara. Shiva and Parvati represent the unmanifest and the manifest in the world around us. The puranas reference the physical manifest forms of Shiva and Parvati as symbolic representations of this philosophy\, attributing human qualities and emotions to relate trivial\, often humorous interactions between them. The stories ultimately carry the idea of both of them representing all of creation\, but in the manifest forms often not realising it. \nIshwara\, is a journey of human emotion\, love\, loss and realisation through the eyes of Shiva and Parvati.
URL:https://dancerukmini.com/event/ishwara-in-seattle/
LOCATION:Renton IKEA Performing Arts Center\, South 2nd Street\, Renton\, Washington\, USA\, Renton IKEA Performing Arts Center\, South 2nd Street\, Renton\, Washington\, USA\, WA\, United States
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Wshigton-DC-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240825T140000
DTEND;TZID=Asia/Kolkata:20240825T190000
DTSTAMP:20260524T040337
CREATED:20240730T072427Z
LAST-MODIFIED:20250113T095653Z
UID:113744-1724594400-1724612400@dancerukmini.com
SUMMARY:Seattle Workshop - Learn Thillana
DESCRIPTION:The students will learn a thillan by Rukmini Vijayakumar \nFor Bookings Contact: \nChavik@pratidhwani.org \nInfo.sadhanaworld@gmail.com
URL:https://dancerukmini.com/event/seattle-workshop-learn-thillana/
LOCATION:835 7th AVE NE\, Kirkland\, WA 98033\, WA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240828T180000
DTEND;TZID=Asia/Kolkata:20240829T210000
DTSTAMP:20260524T040337
CREATED:20240730T072706Z
LAST-MODIFIED:20250113T095653Z
UID:113747-1724868000-1724965200@dancerukmini.com
SUMMARY:Bentonville workshop - Adavu exploration
DESCRIPTION:This workshop will be a fun exploration of Adavus and their usage in Korvais and Jathis\, according to the idea of neutrality and layering in Raadha Kalpa method. They will receive guidance on finding depth in the Adavus by consciously choosing the dynamic nuance of each movement. \nContact: karthikas@ra-veculturalfoundation.org
URL:https://dancerukmini.com/event/bentonville-workshop-adavu-exploration/
LOCATION:Kalaloka Institute of fine arts\, Bentonville\, AR\, USA\, AZ\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240911T170000
DTEND;TZID=Asia/Kolkata:20240911T190000
DTSTAMP:20260524T040337
CREATED:20240730T071529Z
LAST-MODIFIED:20250113T095653Z
UID:113736-1726074000-1726081200@dancerukmini.com
SUMMARY:Bharatanatyam Performance - Bangalore
DESCRIPTION:Bharatanatyam performance by Rukmini Vijayakumar for Radha Ashtami
URL:https://dancerukmini.com/event/bharatanatyam-performance-bangalore/
LOCATION:Seva Sadan\, Malleshwaram\, Bangalore\, Seva Sadan\, Malleshwaram\, Bangalore\, India
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Sept-11th-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240914T100000
DTEND;TZID=Asia/Kolkata:20240914T120000
DTSTAMP:20260524T040337
CREATED:20240730T070704Z
LAST-MODIFIED:20250113T095653Z
UID:113729-1726308000-1726315200@dancerukmini.com
SUMMARY:Workshop in London
DESCRIPTION:Workshop in London\nContact – \nuvevents.uk@gmail.com \nroopalasya.dance@gmail.com \nhttps://forms.gle/57AL4GrFNLMw2Tq79
URL:https://dancerukmini.com/event/workshop-in-london/
LOCATION:Danceworks\, 16\, Balderton street\, London\, Danceworks\, 16\, Balderton street\, London\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://dancerukmini.com/wp-content/uploads/2024/07/Workshop-14th-.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240915T170000
DTEND;TZID=Asia/Kolkata:20240915T190000
DTSTAMP:20260524T040337
CREATED:20240718T081152Z
LAST-MODIFIED:20250113T095653Z
UID:113643-1726419600-1726426800@dancerukmini.com
SUMMARY:Performance in London
DESCRIPTION:Evening of Bharatanatyam by Rukmin Vijayakumar
URL:https://dancerukmini.com/event/performance-in-london/
LOCATION:Bhavan\, London\, Bhavan\, London
ATTACH;FMTTYPE=image/jpeg:https://dancerukmini.com/wp-content/uploads/2024/07/Performance-15th-.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240922T100000
DTEND;TZID=Asia/Kolkata:20240922T133000
DTSTAMP:20260524T040337
CREATED:20240914T092600Z
LAST-MODIFIED:20250113T095653Z
UID:113998-1726999200-1727011800@dancerukmini.com
SUMMARY:Rhythmic Exploration - New York
DESCRIPTION:Rhythm is an important part as it forms the essences of Bharatanatyam . When we utilize rhythm effectively we can create emotional intention and guide story telling through rhythm. Bharatanatyam works with polyrhythmic structures\, that many of us don’t fully explore. How do we use the nuance of rhythm our advantage ? How do we use rhythm to address classical choreography and contemporary subjects?
URL:https://dancerukmini.com/event/rhythmic-exploration-new-york/
LOCATION:Gibney 280 Broadway\, 53A Chambers St\, New York\, NY\, 10007\, United States
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/09/Sept-22nd-NYC.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20240929T183000
DTEND;TZID=Asia/Kolkata:20240929T203000
DTSTAMP:20260524T040337
CREATED:20240730T071330Z
LAST-MODIFIED:20250113T095653Z
UID:113733-1727634600-1727641800@dancerukmini.com
SUMMARY:The Goddess - Performance in Chennai
DESCRIPTION:The Goddess\nA Raadha Kalpa Production \nBy\nRukmini Vijayakumar \nThe archetype of power\, strength and victory in india is depicted by a female form. Kali\, Devi and Durga are the forms of goddess Parvati that represent strength and power. In most cultures\, the representation of power is always held within a male form\, but the goddesses in the Hindu pantheon carry the metaphor for courage amongst various other essential aspects of life. Knowledge & creation\, wealth\, nourishment and sustenance\, strength\, power\, art\, beauty\, grace and kindness are all represented by the many goddesses. The production features three compositions that explore these various aspects of the Goddesses. \nSundari\nFeatured artist & Composer: Ambi Subramaniam \nThe indian goddesses are adorned with pearls\, rubies and diamonds\, bedecked in jewellery and draped in flowing silks. They have long hair that billows like the clouds\, beautiful voluptuous bodies\, bangles around their delicate wrists and anklets that tinkle when they walk. The goddesses are seen as sensual\, beautiful\, graceful yet powerful. \nManonmani\nFeatured artists & Composers: Sunaad Anoor & Anoor Vinod Shyam \nFrom thought comes creation. The creator and created are both Devi. They have no distance from one another\, and yet they seem separate from one another. Birds take flight\, flowers bloom\, rivers flow\, mountains rise and life begins as Devi gracefully walks. The rhythm of the universe begins. \nMaharajni\nFeatured artists: Keerthana Vaidyanathan & Raghuram Rajagopalan\nComposer: Raghuram Rajagopalan \nPower in a female form\, in the modern world is often depicted without sensuality. A sensual woman in the contemporary world is objectified by commercial media. The indian goddesses hold power while also being sensual and sexual. Kali possesses supreme beauty while simultaneously exuding strength and ferocity. Maharajni\, is the ruler of the universe. She instills fear while also being the kindest and most loving. \nChoreography & Direction\nRukmini Vijayakumar \nRehearsal Directors\nPadmashree & Asokavadhani \nDancers\nRukmini Vijayakumar\nPadmashree\nAsokavadhani\nAnusha Yash\nPriyadarshini Rajendran\nSamyuktha Jujare\nSurabhi Gopal\nReanna Ranjan\nManasvee Gupta \nLight Design\nGyandev Singh \nMusic\nAmbi Subramaniam : Violin\nKeerthana Vaidyanathan : Vocals\nRaghuram Rajagopalan : Vocals\nSunaad Anoor : Percussion\nAnoor Vinod Shyam : Mridangam & Percussion \nPhotography:\nVivian Ambrose
URL:https://dancerukmini.com/event/the-goddess-performance-in-chennai/
ATTACH;FMTTYPE=image/png:https://dancerukmini.com/wp-content/uploads/2024/07/Goddess-Chennai-Sept-2024.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20241112T183000
DTEND;TZID=Asia/Kolkata:20241112T203000
DTSTAMP:20260524T040337
CREATED:20241106T072937Z
LAST-MODIFIED:20250113T095653Z
UID:114311-1731436200-1731443400@dancerukmini.com
SUMMARY:Kaadal Kadal
DESCRIPTION:Kādal Kaḍal \nEndless Love \nModern relationships are often intricate and far from linear. There are countless layers within friendships\, marriages\, and romantic partnerships. As individuals navigate the immense pressures imposed by a demanding social structure that insists on perfection in every facet of life\, many buckle under the weight of these expectations. \nIn their quest for connection\, people often seek affection wherever they feel seen and heard\, gravitating toward digital spaces that offer fleeting validation. This stems from a deeper emotional need for external recognition\, a way to confirm one’s worth in an overwhelming world. Alongside this\, there is a growing dependence on substances\, which offer temporary relief\, providing a false sense of relaxation and self-worth. This piece delves into the nuanced layers of the human desire to be acknowledged and loved. It explores how this desire\, when left unfulfilled\, can propel individuals into debilitating choices\, leaving them trapped in a cycle of seeking affirmation in unhealthy spaces. \nChoreography and Direction: Rukmini Vijayakumar \nPresented in collaboration with: Eliza Violin: Nandini Shankar \nPercussion: Sunaad Anoor\nThe performance seeks to unravel these emotional complexities through movement and music\, laying bare the raw vulnerabilities that characterize human connection in the modern age.
URL:https://dancerukmini.com/event/kaadal-kadal/
LOCATION:Hong Kong Jockey Club Hall\, Hong Kong Jockey Club Hall\, Asia Society Hong Kong Center\, Hong Kong
ATTACH;FMTTYPE=image/jpeg:https://dancerukmini.com/wp-content/uploads/2024/11/12th-Nov.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20241115T180000
DTEND;TZID=Asia/Kolkata:20241115T213000
DTSTAMP:20260524T040337
CREATED:20241106T073346Z
LAST-MODIFIED:20250113T095652Z
UID:114316-1731693600-1731706200@dancerukmini.com
SUMMARY:Abducted
DESCRIPTION:The piece critiques how society objectifies women. Women’s bodies are routinely commodified\, and powerful women are often portrayed in masculine clothing—raising questions about whether society is subtly reinforcing the idea that women should be ashamed of their bodies. \nIt also explores how women constantly face danger\, whether on the streets\, at work\, or even within the supposed safety of their homes. Fear of abuse is a daily reality for many\, yet the majority of incidents go unreported. “Abducted” delves into these lived experiences through the stories of women\, weaving a rich tapestry of emotions and imagery that reflect the pain\, strength\, and resilience of survivors. \nAt the heart of the piece is Kali\, a powerful feminine symbol in Indian culture\, representing resistance and empowerment. Kali is a sensual\, sexual\, and unapologetically powerful figure—an archetype of feminine strength. Her image serves as a counter-narrative to societal expectations\, celebrating the beauty and strength found in femininity. Shorter Version “Abducted” critiques the objectification of women in society\, where women’s bodies are commodified. It questions why powerful women are often depicted in masculine forms\, suggesting a subtle shame surrounding femininity. The piece also highlights the constant dangers women face\, whether in public\, at work\, or at home\, where fear of abuse is a daily reality. Through powerful imagery and real stories of women\, “Abducted” reflects the pain and resilience of survivors. At its core\, it draws on Kali\, a symbol of feminine strength\, celebrating empowerment and resistance against societal expectations.
URL:https://dancerukmini.com/event/abducted/
LOCATION:Prithivi Theatre\, Juhu\,\, Mumbai\, India
ATTACH;FMTTYPE=image/jpeg:https://dancerukmini.com/wp-content/uploads/2024/11/15th-Nov.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20241214T180000
DTEND;TZID=Asia/Kolkata:20241214T203000
DTSTAMP:20260524T040337
CREATED:20241106T073743Z
LAST-MODIFIED:20250113T095652Z
UID:114321-1734199200-1734208200@dancerukmini.com
SUMMARY:Ananda
DESCRIPTION:Ananda is the joy that comes from knowing our true identity—the identity that unites us with the entirety of creation. It is the deep\, pervasive happiness that arises when we recognize that the labels and descriptions we attach to ourselves are not our true essence. \nAnanda is the bliss we experience when we feel a kinship not just with our own families or communities\, but with all cultures\, all people\, animals\, nature\, and all of humanity. It is the profound connection that transcends divisions\, filling us with a sense of oneness. \nIn classical art and literature\, this concept of Ananda is often immortalized in metaphors of yearning and longing for an image of divinity. As the seeker or lover realizes the true self\, this divine presence is seen everywhere\, in everything. \nThe performance by Rukmini Vijayakumar will feature a collection of compositions that delve into the theme of Ananda\, expressed through a rich array of metaphors\, evoking this timeless idea of bliss and unity.
URL:https://dancerukmini.com/event/ananda/
ATTACH;FMTTYPE=image/jpeg:https://dancerukmini.com/wp-content/uploads/2024/11/14th-Dec.jpg
END:VEVENT
END:VCALENDAR